Urban Emptiness - the Milena principle
the Milena principle" weergegeven

Urban Emptiness Network

 

 

About the Urban Emptiness Network:

The project suggests an interdisciplinary investigation of emptiness and silence in three contemporary cities: Athens, Edinburgh and Brussels. The aim is to highlight the importance of real and imaginary/hidden landscapes in the urban environment and explore different conditions of intimacy in their understanding. Through three main actions that involve different methodological strategies (workshops, performative projects, open discussions and exhibitions), the project intends to contribute to the discourse about the social, educational, financial, ecological and cultural value of an experiential/performative understanding of silence and emptiness in urban life. Acknowledging the significance of the contribution of diverse groups of people in its results, this pilot study invites university students and local citizens in its actions.

 

http://urbanemptiness.org/

 

Urban Emptiness on Facebook: click here > >

 

 

 

 

2017:

 

[Open Call for artists, performers and creatives] Nicosia Cyprus 01 > 10.12.2017.

Deadline: September 1st, 2017 Midnight EST.

Urban Emptiness invites proposals for a public art and performance festival, focusing on the creative potential of walking the city, taking place from December 1-10, 2017, in Nicosia, Cyprus. We welcome disciplinary diversity: walks, walking performances outdoors, and indoors related visual/ installation, time-based media, virtual work, online-IRL hybrids, and others. 

 

Creating and sharing walks 

Urban Emptiness Nicosia invites groups and individuals, to create and share walks that suggest innovative, experimental approaches to the city of Nicosia. Walks should encompass engaging ways of intervening public spaces and relate  to Nicosia's social/cultural/geographical fabric. The project is particularly oriented to projects that challenge us to rethink our everyday relationship to the urban environment. 

 

We reach out with following key topics: 

⦁ intimacies, sharing a walk

⦁ urban suspensions/interruptions, pauses in the urban fabric

⦁ playfulness, unexpected encounters, taking risks

 

Personal or remote participation

Artists can propose a participation on location, but are also encouraged to also contribute remotely in creating a collaborative  “library of walks”, inviting to a walk, a movement performance with or without technological intermediation to become part of a growing library. 

The proposed  walk or performance is meant to be performed  remotely  by others (performers, public, or mixed)  in Nicosia. We expect to receive a "manual"', a brief or a detailed walking/-movement score (step by step instructions for one walker, two walkers, ... a group/a crowd). 

 

Selected performative walks from the open call for the Library of Walks will be performed by volunteers (young performers / dancers / movement artists / and the  public).  Participants are as well the audience. The walking actions / movement performances are meant to be realized collaboratively to fully experience the works. In fact participants and public become part of it. 

 

All walks will be included in an open source digital library / database of walks, as part of the indoors exhibition, and available for the public to perform themselves, and  as well as, after the event, as a growing and living archive of walks. 

 

Exhibition

An indoor exhibition with selected art works, related to walks and walking performances, will take place at the venue of the Dance House Nicosia. The walks, walking performances, walkshops and workshops will happen parallel to the No Body Festival of DanceHouse Nicosia. 

 

The Urban Emptiness 2017 Nicosia  organizers are:

⦁ Cultural Studies and Contemporary Arts (CSCA) Laboratory Nicosia, Cyprus

⦁ DANCE GATE LEFKOSIA CYPRUS, supported by DH Lefkosia, Cyprus/ framework of NO_ BODY Festival 2017

⦁ Urban Emptiness Network

⦁ Arianna Economou, Co-coordinator

⦁ Sophia Hadjipapa-Gee, Curator

⦁ Geert Vermeire, Curator

⦁ Christos Kakalis, University of Newcastle / Urban Emptiness Network 

⦁ Stella Mygdali, University of Edinburgh / Urban Emptiness Network

 

The Urban Emptiness 2017 international partners are:

Parsons - Fine Arts, New York.

Institut supérieur des arts et des chorégraphies (ISAC) - Académie royale des beaux-arts de Bruxelles / École supérieure des arts (ARBA - ESA), Brussels

National Technical University of Athens - School of Architecture  (NTUA), Athens

Analogio Festival, Athens  

 

Urban Emptiness offers participants:

1. Promotion through Urban Emptiness network of press and contacts.

2. Urban Emptiness web presence with project info, bios, and backlinks.

3. Listing in the Urban Emptiness program 

4. Practice consultation.

 

NOTE: Urban Emptiness is realized by the volunteer efforts of all involved. We can provide advice and suggestions but participants with an action of work on location are responsible for all aspects of production and realization. Urban Emptiness does not provide permits for participating artist projects and encourages works that do not need a permit. Selected proposals will be notified by September 16th, 2017.

 

APPLICATION FORM: Download from here >>>

 

Questions? Email: urbanemptiness@gmail.com 

 

 

 

[Urban Emptiness Network] NeMe Arts Centre Limassol Cyprus 04.02.2017 > 04.03.2017.

 

Urban Emptiness is an exhibition about emptiness and silence in Limassol and about related walking actions in various cities such as Athens, Edinburgh, Brussels and New York which all form part of the international network Urban Emptiness. Walking is the key element in the creative processes and outcomes of this network and of the actions in Limassol.


The exhibited works were created within walking exchange projects between students of Cyprus University of Technology Limassol, Faculty of Communication and Media Studies (led by Dr Angeliki Gazi & Dr Yiannís Christidis), the University of the Aegean, Department of Cultural Technology and Communication (led by Dr Nikos Bubaris), the Parsons New School of Design, New York (led by Dr Lydia Matthews), Drama School of the Athens Conservatoire (led by Adonis Volanakis), RITCS School of Arts – Radio Dept Brussels (led by Dr Guy Debievre), National Technical University of Athens – School of Architecture (led by Dr Georgios Parmenidis, Dr Nelly Marda and Olga Ioannou), Edinburgh College of Arts – ESALA (led by Dr Christos Kakalis, Stella Mygdali) and Marielys Lely Burgos - Marielys Burgos Melendez, Stefaan van Biesen, Vermeire Geert, Ismini Gatou, Andromachi Vrakatseli B


The exhibition includes as well walking performances and media walks that have been created by the Cyprus based artists: Elena Pillakouri, Evdokia Georgiou, Maria O Rousse - Maria Andreou and the Mind the Gap collective and by Geert Vermeire. Organized by NeMe and by Urban Emptiness Network.

 

Installation Urban Emptiness Network by Stefaan van Biesen and Annemie Mestdagh.

The project Urban Emptiness suggests an interdisciplinary investigation of emptiness and silence in three contemporary cities: Athens, Edinburgh and Brussels. The aim is to highlight the importance of real and imaginary/hidden landscapes in the urban environment and explore different conditions of intimacy in their understanding. Through three main actions that involve different methodological strategies (workshops, performative projects, open discussions and exhibitions), the project intends to contribute to the discourse about the social, educational, financial, ecological and cultural value of an experiential/performative understanding of silence and emptiness in urban life. Acknowledging the significance of the contribution of diverse groups of people in its results, this pilot study invites university students and local citizens in its actions. NeMe Arts Centre

 

 

The exhibited works were created within walking exchange projects between students of Cyprus University of Technology Limassol, Faculty of Communication and Media Studies (led by Dr. Angeliki Gazi & Dr. Yiannis Christidis), the University of the Aegean, Department of Cultural Technology and Communication (led by Dr. Nikos Bubaris), the Parsons New School of Design, New York (led by Dr Lydia Matthews), Drama School of the Athens Conservatoire (led by Adonis Volanakis), RITCS School of Arts – Radio Dept Brussels (led by Dr Guy Debievre), National Technical University of Athens – School of Architecture (led by Dr Georgios Parmenidis, Dr. Nelly Marda and Olga Ioannou), Edinburgh College of Arts – ESALA (led by Dr. Christos Kakalis, Stella Mygdali) and Marielys Burgos MelendezStefaan van BiesenGeert VermeireIsmini GatouAndromachi Vrakatseli. Documentation of the media walks created by the participating artists mentioned above will also be part of the exhibition. Further works have been created by the Cyprus based artists: Elena Pillakouri, Evdokia Georgiou, Maria Andreou and the Mind the Gap collective.

 

Exhibition Opening: 04/02/2017, 20:30 pm
Venue: NeMe Arts Centre
Duration: 04/02/2017 – 04/03/2017
Opening Days/Times: Tuesday-Friday: 17:30pm-20:30pm, Saturday: 10:00-13:00

 

See link NeMe Arts Centre Limassol :

http://www.neme.org/eventsurban-emptiness/

 

 

 

[Urban Emptiness Network] lecture University of Technology Limassol Cyprus > 04.02.2017.

 

 

Seminar speakers: Dr. Nikos Bubaris (Aegean University), Haris Pellapaisiotis (University of Nicosia), Dr. Yiannis Christidis (Cyprus University of Technology), Stefaan van Biesen (sound artist/ walking artist, Belgium), Marielys Burgos Melendez (dance artist/researcher, Puerto Rico) Via Skype: Dr. Christos Kakalis (Urban Emptiness Network organizer, University of Newcastle) and Stella Mygdali (Urban Emptiness Network organizer, University of Edinburgh).

Seminar: 04/02/2017, 17:00-20:00 
Seminar language: English
Venue: Pefkios Georgiades Auditorium, Cyprus University of Technology, Limassol

 


 

 

2016:

 

 

[Urban Emptiness] The Cultural Studies and Contemporary Arts (CSCA) Laboratory in Nicosia.

 

Workshop media walking / Urban Emptiness with Geert Vermeire at The Cultural Studies and Contemporary Arts (CSCA) Laboratory in Nicosia

Monday, October 24th 2016.


Part I 6:00 pm - 7.30 pm: Introduction to the media walking project and presentation of up-to-date results of the Urban Emptiness Network http://urbanemptiness.org/


Focusing on mobile media and embodied practices, the project enables a creation-research laboratory about the relations between walks and movements, sounds and silences, digital and bodily spaces.The aim is to generate collective experiences and documentation of the diverse processes within urban landscapes, and further contribute to the dialogues and practices of the Urban Emptiness Network.

 

Part II 7.50 pm – 9:00 pm: Use of mobile media in the actions of the network and hands on session and demonstration of Echoes, a platform for the making of location-based experiences. The Urban Emptiness project intends to explore critically how bodies and technologies work together to produce new practices of public space and movement.

The workshop will conclude with a hands-on session and demonstration of Echoes. The platform consists of a web app for uploading sound, images and text, and organizing this data in collections, assigning them to geolocated areas and publishing so that they are available for download on Android smartphones and on Iphone.

http://www.cscalab.com/

 

 

 

[Urban Emptiness] Exhibition Sculpture Court of the ECA Main Building 20.06 > 24.06.2016.

 

Silence, Νarrative and the Ιntimacy of the city / Exhibition of actions and workshop results of the Urban Emptiness International Network, an interdisciplinary investigation of emptiness and silence in three contemporary cities: Athens, Edinburgh and Brussels.

 

In the frame of the symposium "The Place of Silence: Experience, Environment and Affect" / University of Edinburgh.

Sculpture Court, Edinburgh College of Art. Chirstos Kakalis & Stella Mygdali.

 

 

An exhibition/presentation at Sculpure Court [College of Arts University Edinburgh] about the project in Februari 2016: Silence, Narrative and the Intimicy of the City. A Workshop Symposium.

 

 

The neo-classical Sculpture Court of the ECA Main Building is home to the many pieces from the Edinburgh Cast Collection, and provides a spectacular environment for student exhibitions. It also hosts work by major international artists, and is a popular venue during Edinburgh's festival season.

 

[Sketchbook Urban Emptiness] Stefaan van Biesen & Geert Vermeire Edinburgh Scotland 2016.

 

 

 

Urban Emptiness [Edinburgh-Athens-Brussels] Q-02 Brussels Belgium 07 > 09.06.2016.

 

 

Slow and silent walk. Urban Emptiness Brussels. Presentation at Q-O2 Brussels, a space for artistic research, reflection, and creation in the field of experimental music and sound art.

 

Q-O2 is a structurally subsidized workspace for experimental contemporary music and sound art since 2006 and has its own space in the Brussels canal zone. The workspace developed out of the contemporary music ensemble Q-O2. In practice, Q-O2 operates at three levels: it offers working residencies to artists; carries out projects in collaboration with national and international arts organizations; and holds performances and concerts in its own space.

 

[Video Talk] by Geert Vermeire and Stefaan van Biesen about Urban Emptiness Q-O2 Brussels 2016.

 

Listening to silence.

Quadrophonic sound installation Silent Pockets by students of RITCS at QO-2 Brussels. Real and Imaginary Embodied Landscapes / Molenbeek Brussels, 7 June 2016 – 9 June 2016. An action of the Urban Emptiness network Edinburgh-Athens-Brussels.

Silent Pockets has the ambition to investigate sonically quieter spots in an otherwise very noisy city. Three RITCS master students, Margot Otten, Amber Meulenijzer and Loic Thaler, were given the assignment to find relatively quieter public locations within the Brussels central pentagon. Amber and Loic went for alleys and Margot chose an open, but below street level, monument on a square. They recorded the location and its immediate, louder, surrounding and found a way to present the dynamic contrast as a quadraphonic sound installation.

 

 

 

 

[Urban Emptiness] Fading Into Silence / Video Talk Edinburgh 2016.

 

 

[Video Talk] by Geert Vermeire and Stefaan van Biesen about Urban Emptiness Edinburgh 2016. Location: the house of Sam Kirke in Edinburgh. Camera by Annemie Mestdagh. A talk about the silence projects of the Milena principle.

 

 

 

[Urban Emptiness] Fading Into Silence / Urban Tea Ritual College of Arts Edinburgh 2016.

 

 

 

Silence is a connection, a condition that compels or invites to listen. The “Unisono” performance starts as a wordless conversation of which both the performers are a part of a bonding silence. This creates a possibility for an instant conversation out of an awakening whispering, but a conversation is not necessary. It is a ritual silence. Both protagonists represent “silence” through their muteness, their physical presence. If a conversation starts then it is as well a registration of their “inner landscape”, a field of silence.


The tea ritual wants to connect people through silence in a speechless being together and sharing. The host is a medium of silence who hands on a wordless way “connection”, “care”, “attention for each other”,”hospitality for strangers”, “equality”, “social aesthetics”, “utopian ideas of democracy”, “the sensoriality of tasting and degustation”, relating through water and tea with nature (as a rediscovery of nature and becoming part of it), the ceremony as an ecological and symbolical ritual.

 

'Fading in to Silence | Urban Tea Ritual' with the performance 'Unisono' as a silent prologue by Geert Vermeire and Stefaan Van Biesen, artists / the Milena Principle, is one the common actions, which will take place on Wednesday 17th February 2016, at G.06, 50 George Square.

 

Urban Emptiness

The project suggests an interdisciplinary investigation of emptiness and silence in three contemporary cities: Athens, Edinburgh and Brussels. The aim is to highlight the importance of real and imaginary/hidden landscapes in the urban environment and explore different conditions of intimacy in their understanding. Through three main actions that involve different methodological strategies (workshops, performative projects, open discussions and exhibitions), the project intends to contribute to the discourse about the social, educational, financial, ecological and cultural value of an experiential/performative understanding of silence and emptiness in urban life. Acknowledging the significance of the contribution of diverse groups of people in its results, this pilot study invites university students and local citizens in its actions.  

http://urbanemptiness.org/

 

 

Performances / walks by Geert Vermeire and Stefaan van Biesen during Urban Emptiness - Edinburgh College of Arts.

 

Our artistic contribution to Urban Emptiness in Edinburgh is about "presence", and an approach of being "passerby" via nomadic interactions with workshop leaders residents and places, interweaving ourselves (visible/invisible) in ongoing processes - events in space. We realized some unannounced (silent) performances outdoors and indoors (never intrusive), some of them to happen completely unnoticed (but documented), bringing in our (very silent) methodology of "flow and gesture", in an invisible undercurrent and breeze passing by through the the city.

 

Geert Vermeire wrote: Dear all, with greatest pleasure. Stefaan's and my presence is completely based the approach of being "passerby" via nomadic interactions with you, the workshop participants and residents, interweaving ourselves (visible/invisible) in the ongoing processes during that week. We have foreseen some unannounced (sound and silent) performances outdoors (always offered as a possibility, never intrusive) within the workshops and with collaboration of workshop participants, but some of them as well to happen completely unnoticed (but documented) , and where possible in dialogue with Marielys and with Akoo-o, bringing in our (very silent) methodology of "flow and gesture", in an invisible undercurrent and breeze passing by through the workshops and the city.

 

Our urban tea ritual is the center of this all and connected to the whole week, as a stand still experience / performative-participative event with you all & the workshop participants in an intimate in situ - (very) temporary exhibition with videos, soundscapes, prints, drawings, notes and texts related to our silent gestures to / conversations with the city and with you all, embracing the whole event, literally as a turning point (exactly in the middle of the week) towards an inner movement/ (re)connecting (with) you all. An eye in the storm of your many walks, the binding pause between the notes. So we're in!

 

Collaborators: Dr Michelle Bastian (Edinburgh) Stefaan van Biesen (Antwerp) Guy de Bievre (Brussels) Dr Nikos Bubaris (Mytilene) Dr Dimitris Charitos (Athens) Dr Anastasia Georgaki (Athens) Sofia Grigoriadou (Athens) Professor Panos Kouros (Patras) Marielys Melendez (Athens / Puerto Rico) Dana Papachristou (Athens / Paris) Professor Georgios Parmenidis (Athens) Dr Nikolas Remy (Volos) Giorgos Samantas (Athens) Katerina Taliani (Edinburgh) Elli Vassalou (Brussels).

 

 

Silence in the urban space. A performance based on a tea ritual. Conversations, soundscapes, smell, gestures are part of an alternating talk and performance focusing on the relation between water, writing and the city during an ad hoc temporary exhibition as a flow of drawings, prints, sounds and videos. We redefine the tea ritual as a literary and artistical meeting place inspired by Venice and the (wordless) conversations between Marco Polo and Kublai Khan in the novel Invisible Cities of Calvino. Moments of keeping silence interchange with conversations, intertwined with ideas about society and liquid cities, and the sharing about the taste of tea and other facets of tasting and sensorial experience. The body and senses becomes an instrument of knowledge and of communication between people and cities.

 

 

Second part of Water Carrier [For I am water now], an art project travelling through various European cities with the underlying thought that we are water. Artistical materials (videos, soundscapes, performances, texts and prints) are created in Venice in September 2015 and presented in Athens in October 2015. Part one was realized in Portugal at the Museum Nogueira da Silva, Braga, in October 2014. Part two in the Italian Cultural Institute in Athens Greece October 2015.

An art project in various European cities with the underlying thought that we are water. Central activity in Athens Greece is an art performance based on a tea ritual. Parallel event is an exhibition depicting a flow of drawings, prints and videos and an installation in the Italian Institute in Athens.
We redefine the tea ritual on an artistic way as a philosophical and artistical meeting place, a resonating field of visual poetry and togetherness in a “politics of the heart', incorporating the utopic desire to a harmonious living together, an unconditional engagement in a field without distances, nor hierarchy. It is the echo of a humane democracy that is lost in our world.

 

The tea ceremony is multidisciplinary. Conversations, sound, soundscapes, smell, gestures are integrated. Parallel events are a series of performances and talks based on the topic and an exhibition with a flux of drawings, prints and the video-performances 'We wish we were like water' (Braga, Museu Biscainhos 2010), 'Writing in water' (Venice Biennale 2007 & 2015) and 'Liquid islands' (Venice Biennale 2011) next to the video-poems “Antarctica” (Brasilia, 1a Feira Intercional do Livro / Museu Nacional) connected to the installation 'Spirals/Mater' including a public performance. Production: the Milena principle.

 

 

© private foundation van biesen-mestdagh 01.07.2017